Thursday, May 21, 2015

In the late 60s, Hughes worked as DJ at a local radio IA and putting into operation its own sound s


Judge Dread it seems and despite not sign the first works in the early 70s, we consider it an innovative artist. Not only will put more records reggae charts in England than any other artist (including the same Bob Marley), was also the first white artist to have a reggae hit in Jamaica. The "Judge" also holds the record for having the most songs banned by the BBC, 11 in total, which by the way is exactly the number of singles that was placed on the lists.
Alex Hughes was born in Kent, England, in 1945, in his teens, moved to a house in Brixton West Indies. Hughes was a man, his first work was as a goalkeeper Ram Jam Club Brixton. He also worked as a bodyguard of personalities such as Prince Buster, Coxsone Dodd and Duke Reid. Athlete professional drukkerkocsma wrestling, was known as "Masked Executioner" something like "the masked executioner," and even worked as a debt collector for Trojan Records.
In the late 60s, Hughes worked as DJ at a local radio IA and putting into operation its own sound system. It was Prince Buster, who threw Hughes to turn it into an artist. The DJ was not hallucinating the theme "Big Five" Buster entered the studio to record their own Trojan version. At the rate Verne & Son's "Little Boy Blue" Hughes recited a number of poems for children hilarantment rude. It was by pure chance that the head of the Trojan label, Lee Gopthal surrounded by there during the recording; impressed, immediately hired the DJ. Their song called "Big Six" and Hughes drukkerkocsma chose the name in honor of Judge Dread Buster. The single drukkerkocsma was released on sublabel record of success with Trojan, Big Shot. Initially it was a more underground scene in temacle once Trojan signed a distribution deal with EMI in 1972, the single soared lists, although distributors refused to carry registration . The song also was a success despite the ban reproduce it on the radio, Trojan did more than announce that the issue was not about sex, but these were found with the same contempt that Max Romeo with his "Wet Dream, "the first success of reggae rude. The ban was not effective at all this time either, and he opposed the single number 11a lists "Big Six" was a hit in Jamaica, and before the end of the year Dread was acting in front of a Kingston crowd excited. drukkerkocsma Everything was spinning near the stage and the audience supposed that great white man was the bodyguard of Dread or maybe in your head until the time he approached the microphone to Jamaica no one had considered the possibility drukkerkocsma that "Judge" was white.
Back in Britain, drukkerkocsma "Big Seven" his latest recording at the time was so successful that its largest single predecessor, reaching number eight. It was also a children's song in perfect rhythm with hints of reggae and rocksteady. With the arrival of the new year, "Big Eight" soared lists too. Surprisingly, however, the debut album of Judge Dread "Dreadmania" could not even scrape the bottom of the list. However, the British continued to have an insatiable desire of his singles. Amid all this image rude and bad baba, Judge Dread helped organize a benefit concert led by the Wailers and Desmond Dekker, drukkerkocsma and gave the profits with their single "Molly." The single was the first of the releases Dread not have sexual innuendo, but the radio stations banned the collection drukkerkocsma for charity anyway and it was great. In an attempt to get a few minutes in the media, Dread released drukkerkocsma some singles under the pseudonym JD Alex and Jason Sinclair, but the BBC was not fooled and prohibited regardless of its content.
The second artist album, 'Working class' Ero, "came in 1974, followed by landslides singles" Big Nine "and" Grandad's Flannelette Nightshirt, "" but did not have the expected success. Judge Dread seemed to have lost some strength, both simple lacked the spice of their predecessors. However, the DJ was sent back to the charts the following year with "Je t'aime", but a more suggestive than the original. With "Big Ten" is CLAB back to the top of the charts. drukkerkocsma Then he saw the light "Bedtime Stories," which only reached the Top 25, while the double single "Christmas drukkerkocsma in Dreadland" / "Come Outside" proved to be the perfect gift those Christmases. The successes continued arriving, though none would enter the Top 25 with a rate fr

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