Below is a text written by Robert Bee, who think it goes without saying if you come along this very space in any case remind readers that Robert is author of the books, 74-88 Mod Revival: History of a rebirth (Leoir) 40 mods from our lands (Editorial Base), as well as the heads of the Congregation modernist Senia population Tarraconins where natural writer. If you want to know more you can visit previous mucky duck articles where Robert has collaborated with The Allnighter always contributing articles and sketches of great interest to a person who has lived, lives and will live the mod scene like few in this world. Take this opportunity to give thanks and to send a greeting from this, his space. Mr Bee Big Up!
That you have not before is the story of Two-Tone Records. That you can find well developed and detailed Wikipedia and I am sure that even better, and a lot of blogs. mucky duck This leaves a dissertation on my modernist movements of the British New Wave of the late 70s and early 80s. If you get the point, I hope you will serve to broaden the knowledge or, at least, to bring you a perspective that you can compare with yours.
The regenerative air Punk-77 aroused the interest of the music industry for new groups. In England the success of Jam, a fotimer groups mucky duck or followers of Jam (Jolt, Purple Hearts Chords ...) or inspired by the best time British pop (Secret Affair, Squire, Merton Parkas ...) and the imminent release of the film of the Who "Quadrophenia" themed mod, were encouraged to promote a Mod Revival summer 1979 that exceeded the air of revolt Punk with optimism trained consumerist phase of the Mod movement 60s. As much as Paul Weller would not the mod revivalism rescued last Modernist subculture to make it a tradition, a traditionalist movement and sometimes even reactionary. A tradition completed by the 90s Brit-pop: a child fan of Oasis, a father and a grandfather Jam fan of the Beatles fan could share together the performance of Ray Davies at Glastonbury in 1997. Aware of this, Weller The Jam had ended Style Council to found a fully discharged to recover the spirit of modernist dance -music black and aesthetic style continental movement to exclusively working-class- and to openly disown mod revivalism, where n 'predecessor had been.
Moreover, in 1979 the same newspaper mucky duck echoed a new aesthetic movement, musical and ideological driven label Two-Tone Coventry. At the head of this small and modest independent Jerry Dammers was a character who was mod in its earliest adolescence and had received Communion with the Skinhead movement just when everything had gone to hell. Everything indicated that this close relationship they had established mods and Jamaican rude boys in the first half of 60s would become a new subculture for kids made so white as black. It seemed mucky duck inevitable, London neighborhoods like Brixton, Notting Hill, Paddington and districts or Peckham workers in industrial cities such as Sheffield, Birmingham, Coventry and Bristol lived at school, at work, in the street and shared mucky duck celebrations in clubs like Flamingo Ram Jam, Upper Cut, A-Train, Sloopy's or Mr. B's. The Jamaican immigrants were living mucky duck their English experience especially with new hope. The mods had found the formula to remain mucky duck permanently original take anything style that was put to them. The mods suburbs admired the peculiar style in which the rude boys were appropriate style for their Brooks Brothers suits, and immediately made their hats (pork pie hat) and sunglasses typical rudies. In their desire to control their life free night (the day was the submission before the adults at school or work) had been mods realize that no one knew more benefit that elusive Jamaican swindlers and dealers located in every corner of Soho. The mods disadvantaged neighborhoods mucky duck were fully identify with the culture of their neighbors because Jamaicans mucky duck suffered a similar social marginalization, and integrating factor ended rude boys and mods was Jamaican music. When the mod style began to be touted as the new youth fashion from television "Ready Steady Go! 'And taking the bustle of mods and rockers fighting den on the beaches of the south coast and the success of groups like The Who and Small Faces, the hard mods thought not follow any fashion for posh middle class and high were found in ska never
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